My work begins with the body; not as an image, but as a condition and a bearer of identity.

Rooted in an exploration across different materials, my practice has arrived at clay as its central language, where I trace what persists under pressure, between presence and absence, coherence and fracture. In clay, weight, resistance, and fragility converge. What appears broken is not fixed, but held in a state of becoming—where tension, silence, and resilience remain unresolved.